I’m back
from my great, relaxing holiday. I visited family and recharged my batteries by reading
some of the books from my ever increasing to-be-read pile. Ever since I started
writing, I’ve been behind on quite a few series I follow that I now had time to
catch up with. Among those was my current favourite series, Charley Davidson by
Darynda Jones.
I read the books
four and five back to back, which turned out to be good, because there was a
continuing plot between them. I guess there’s something to be said for not
reading every book the moment they are published.
Charley
Davidson is the Grim Reaper and one of the funniest characters out there. Her
charm is based, rather oddly, on her ADD personality that manifests as a
narrative that jumps from topic to topic according to whatever catches her
fancy, be it naming her body parts (like Barbara, her brain) and furniture (we
were left hanging on the names of a couple of chairs in the last book) or
coffee and the endless stream of food she should have ordered instead of what
she did.
Despite her
concentration issues, Charley is a PI. She’s helped in this by Cookie, her
assistant, Uncle Ubie who is a cop, and an ever-growing cast of ghosts who
flock to her, drawn by her light only they can see. It’s easy to solve murders
when you can ask the ghost who did it; less easy to explain it to the living.
The first
three books in the series revolved around a story of a bad-boy Rayes with whom
Charley shares a metaphysical connection – and a sizzling physical one. He’s
convicted of a murder she’s convinced he didn’t commit and tries to prove his
innocence. The showdown at the end of the first trilogy is gruesome.
Incidentally, contrasting with her ADD character and laugh-out-loud incidences,
the stories usually have a very violent ending, with Charley as the sufferer.
Books four
and five start a new cycle, with Charley recovering from the events of the
previous books in her unique style, in this case with compulsive shopping from
the home shopping network. The bigger story concerning what Charley is and how
she is connected with Rayes gets new dimensions, especially in book five that
has quite a few revelations, building a storyline for many books to come. There’s
a murder or three to solve in both books; in book five the twenty-seven ghosts
of women that are the victims of a serial killer show up in Charley’s
apartment, too badly traumatised to tell her their story. She solves it, in the
end, like she always does, but not without a personal cost.
The books
are an intriguing mix of funny and grim, absurd and deadly. There’s a smaller
case in each that is solved during the course of the book and then there is the
continuing storyline that is interesting and unique enough among all the UF out
there. The books are filled with likeable characters whether dead or alive, and
all of this is told with Charley’s attention deficit narrative. So far, every
book has been good, no weak ones among them. If you’re looking for a new series
to read, I warmly recommend this one. Meanwhile, I’m eagerly waiting for the
book six. I hope it doesn’t take long.
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